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On Tuesday evening, the family of Jalal Mansur Nurridin, 74, released a statement describing his death, writing that "Jalal slipped quietly away this evening into the arms of Allah," and asked that we use the last ten days of Ramadan to make dua for him. Nurridin lead the best-known iteration of the legendary Last Poets, a spoken word and percussionist collective formed on Malcolm X's birthday and that, at its best, embodied the spirit of Malcom as street hustler, soldier for the people and revolutionary sage — none more so than the Brooklyn-born Jalal, the Godfather of Rap.

Today, what would have been his 60th birthday, the people in charge of Prince's storied vault of unreleased recordings have announced a forthcoming album taken from a cassette he recorded at his home studio (Paisley Park did not yet exist), simply titled Piano & A Microphone 1983. The record includes a cover of Joni Mitchell's "A Case of You" and prototype sessions of "Purple Rain" and "Strange Relationship."

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RACHEL MARTIN, HOST:

What do you go to Facebook for? Given how many of us use it — 68 percent of Americans, according to the Pew Research Center, with 74 percent of them visiting the site at least once a day — it's striking that, anecdotally at least, using the site evokes a sort of dissociative muscle memory, the ritual of dutifully giving posts from family and close-enough friends a thumbs-up.

Bon Iver may take its time between albums, but bandleader Justin Vernon remains a geyser of ideas in his off hours. On Wednesday, he and a pair of fellow idea-geysers — The National's Aaron and Bryce Dessner — launched a new platform for listening, called PEOPLE, and populated it with a trove of music. That trove includes songs by the duo of Aaron Dessner and Vernon, recording under the name Big Red Machine.

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