UA Music professor Er-Gene Kahng and composer Ryan Cockerham explore the universe of non-narrative film and music with the music of Alvin Lucier and short films of Stan Brakhage in their first event for the Fuse New Music series.
Pianist Jonathan Biss continues exploration of Beethoven piano sonatas in his new release. He describes the "Appassionata" sonata as a hurricane and elaborates by saying "it is a one-ff, an unrepeatable force of nature, which probably shouldn't be repeated even if it could be, so overwhelming is its power." Hear Biss's rendering in its entirety on Thursday's program.
Composer Dmitri Tymoczko asks what music composers should write when we carry the whole history of music in our pockets. His answer is to "make music that weaves between stylistic poles in a way that is unexpected and entertaining ... an attempt to find hidden roads connecting the familiar places we love." One piece that attempts this is his chamber work "Eggman Variations." Catch it on Tuesday's program.
Pianist Anna Shelest says of Schumann's first piano sonata "when you listen to the F sharp minor sonata you are not only hearing music of immense beauty but also of fantastic strangeness, and strangeness always accompanies great art." Hear her new recording of this strangeness on Monday's program.
Born in Beirut to Armenian parents, guest pianist Annie Balabanian presents an all-Armenian composer recital Friday at Giffels Auditorium in Old Main beginning at 8 p.m as part of a partnership between the UA Music Department and the King Fahd Center for Middle East Studies. Balabanian stopped by the studio to discuss the inspiration for such a recital.
American violinist Anne Akiko Meyers celebrates American composers in her latest release American Masters, which includes an exquisite rendering of Samuel Barber's violin concerto composed in 1939. Catch this American elegance on Thursday's program.
"These were the kinds of tools for which Beethoven conceived his scores -- the raw, intimate and human sounds in his mind as he navigated the turmoil of extremes in these new works," writes Matt Haimovitz regarding approaching Beethoven on period instruments that were used when Beethoven was in the midst of composing his genius. Hear Matt Haimovitz, violoncello, and Christopher O'Riley, fortepiano, perform Beethoven's Sonata in G minor, op. 5, no. 2 from their new release Beethoven, Period. on Monday's program.
Bohemian composer Vitezslav Novak paid tribute to Dvorak, a teacher of his in Prague, in his symphonic work "Eternal Longing," although the title was inspired from the Hans Christian Andersen's Picture Book without Pictures. Catch this fascinating piece on Friday's program from 11-noon on KUAF as well as 6 p.m. on KUAF-2.